It’s an intimate and compelling piece on a very personal album. The laid-back, slow jam tempo suits the tune, allowing Cornell to sound as if he’s creating the lyrics off the top of his head. This rock classic about cleansing the Earth through total destruction is stripped down to voice and guitar. ![]() The best of this very good record is “Black Hole Sun,” from Cornell’s Soundgarden tenure. There is a pretty version of John Lennon’s “Imagine” that ranks among the best covers of the classic available, and the Audioslave hit “Doesn’t Remind Me” is also notable. Cornell is thoughtful in recasting his Temple of the Dog tune “Call Me a Dog” as a strum ’n’ hum ballad, and he actually achieves a dreamy folk quality on the darkly dangerous original “Cleaning My Gun,” which he says “is a song I wrote a while ago,” but never recorded. Woman,” his last recording with The Doors.Īmong the many peaks on this record is the cover of Led Zeppelin’s “Thank You,” on which Cornell pays vocal homage to Robert Plant’s essential wailing vibrato. Unplugged yet energized, the singer deconstructs originals and classic rock covers, letting the weight of each song rest on his gritty baritone.Ĭornell is a unique vocalist in today’s pop his bluesy, emotional delivery seems to draw its influences from Jim Morrison on “L.A. ![]() In each of the record’s 16 tracks, Cornell is alone onstage, with just a guitar. “Songbook” is a live compilation featuring the best performances from his 2011 spring tour. While Chris Cornell is famous as the frontman for big, loud bands such as Temple of the Dog, Soundgarden and Audioslave, this year the singer has experimented with quiet-riot arrangements in a series of small-theater solo concerts.
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